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Azealia Financial institutions’ “212” dropped just like a bomb on music in 2011, and its spare, black-and-white music video only strengthened the case for Banking companies like a bona fide star — the moment she spat, “I’ma ruin you, cunt” into the digital camera, you knew you weren’t intending to forget about her. It’s challengin

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To witness the birth of the star is often a exceptional issue—but in 2021, we witnessed two. It was just a week into January that Olivia Rodrigo’s “motorists license” arrived, a debut single so speedy and so relatable that it promptly became a pop cultural landmark, a Music on the Year-stage statement that felt similar to a confirmation: In

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